Things rarely go smoothly for costumed adventurers -- and the courtroom, it seems, is no exception. Nikke Finke reports that a federal judge has denied to dismiss 20th Century Fox's legal claim on Watchmen. You may remember that they filed a lawsuit back in February claiming that their rights to the DC property still held. They seek an injunction to prevent Warner Bros' adaptation of Watchmen from being released at all.
And at this point, that federal judge agrees with them.

Warner Bros, obviously, cries foul. They point out that several studios have tried to develop the property for years, with Fox saying nary a word, and passed up the chance to properly reacquire the rights some time back. Their view of the lawsuit is that it's just an opportunistic grab on a movie that has been gaining more and more buzz. You can read the whole legal chronology over on Deadline Hollywood (Finke's done a top-notch job of documenting the ins and outs) and see which side you come down on. It's exhausting -- isn't this what studios have lawyers for? To avoid this kind of last-minute litigation lunacy?

It's unlikely that the movie will really be delayed -- but it is possible that Warner Bros. will have to hand Fox a substantial chunk of change in order to release the film, as they had to do for Dukes of Hazzard some years back. As one of Finke's readers noted, suddenly the Harry Potter and the Half Blood Prince schedule shift makes a lot more sense. The studio's 2009 budget could be pretty tight.

Watchmen opens (hopefully) March 6th, 2009.

I'll admit it; I have a soft spot for Vin Diesel. Feel free to laugh at me, but I can't help myself, it's something about that voice. So you might want to keep my personal bias in mind when I say that Babylon A.D. really doesn't look all that bad. Silly? Yes, but entertaining none the less. Ropes of Silicon found the latest poster for the sci-fi flick from Gothika director Mathieu Kassovitz and if nothing else, it's a step up from the first one-sheet/Oakley ad we saw a few months ago.

Diesel stars as Toorop, a mercenary who takes the job of escorting a woman from Eastern Europe to New York. But if you have seen the trailer, you know that there is a lot more to this lady than meets the eye. Say what you will about the film, but you have to admit, some of those 'Bladerunneresque' shots of the city were pretty impressive. Starring alongside Diesel is the criminally underused Michelle Yeoh as an a**-kicking nun, as well as, Gerard Depardieu, and Charlotte Rampling.

Babylon has had rough time throughout production. The project started back in 2005, when Kassovitz was hired to adapt the novel, Babylon Babies. Originally the French actor Vincent Cassel was expected to take the lead, but Diesel decided to drop out of Hitman (probably not a bad idea all things considered) to lobby for the role. It was even speculated that the move caused bad blood between Cassel and Kassovitz, and ruined a long standing friendship. As if that wasn't enough stress; there were also delays from weather and talk about the film running over budget.

Hopefully all these problems won't be showing up on the screen when Babylon A.D. opens in theaters on August 29th.

When a film called Mirrors opens with a man fleeing desperately from said objects, it doesn't bode all that well. When that individual soon falls victim to a grisly demise at the sight of them, well, there's something to be said for the fact that there is ultimately nothing to see in Mirrors that is worth grabbing something sharp over. Unfortunately, there is also nothing that you probably haven't seen before in The Ring, The Grudge, or any number of exhaustingly similar American remakes of Asian spook stories.

And what a shame that we find ourselves having to associate the likes of Alexandre Aja with lackluster horror. Well, to be more accurate, luster is just about all he has to offer here, a slick sheen on a stale story. It's nice to have a legitimately menacing score in between shameless jolts!, and if we're to be treated to the same 'gotcha!' shots with depressing frequency, at least the lighting and lensing bring an equal amount of polish to the proceedings. Who knows: With enough technical prowess at play, maybe Aja can get someone to mistake this film for Shinola after all.

No matter how you look at it, one group of dedicated fans aren't going to be very happy about this. In an interview with MTV Movies blog, writer/director David Goyer dropped the hint that his X-Men origin flick Magneto may be taking a back seat to his Invisible Man update -- not the choice I would have made, but maybe Goyer is a little 'Superheroed' out. Goyer tells MTV that Magneto, "may be next," but he wouldn't confirm which film is going to get priority on his schedule, saying, "So it could be 'Magneto,' or it could be 'The Invisible Man' next." -- Gee Dave, thanks for clearing that up.

Goyer's Invisible update is just the latest in a series of adaptations of the classic H.G. Wells story on the big screen. Universal famously adapted the novella in 1933, with Claude Rains as the invisible Jack Griffin, and don't forget about the embarrassingly bad comedy version starring Chevy Chase back in 1992. Goyer told MTV that his story, "involves Scotland Yard getting their hands on the current Invisible Man and basically saying, 'Wow, you'd be a really good secret agent to send into Imperial Russia right now,'" an enthusiastic Goyer said of the plot. "It starts off from there." -- I'm suddenly having flashbacks to The League of Extraordinary Gentlemen, and that is not a good sign.

So the real question is: What does this mean for Magneto? We all know that there is no danger that the film won't get made (No please, don't bring that dump truck full of money to the studio doors), but his work on The Dark Knight earned Goyer the reputation of 'Patron saint of comic book movies' (well, until Watchmen is released anyway), and it will be hard to top that; you can't blame the guy for wanting a break.

Stay tuned to Cinematical for the official word on which film will cross the finish line first.

In one of the more inspired viral marketing campaigns that I've come across, um, today, actor Rainn Wilson has apparently taken his co-star from TV's 'The Office,' the lovely and talented Jenna Fischer, hostage in his trunk until his new film, The Rocker, opens to the tune of $18.7 million next week.

Mind you, that's $18.7 million in American dollars, as specified on the initial MySpace ransom post (the Fox-owned MySpace, natch), and Fischer has been promised a peach smoothie for her troubles. Any and all further updates are to be posted instead on the aptly-named blog Free Jenna Now! (the maxim of which is "See a great movie. Save a good person.").

Eric D. Snider reviewed the film at CineVegas, and I can pretty much echo every sentiment he shared then regarding its supposed greatness. Regardless, The Rocker opens on Wednesday, August 20th, while Rainn's trunk opens on Monday, August 25th.

[Thanks to regular reader WW for the tip.]

Although it doesn't open until next year, it appears that the viral marketing machine is already cranking away in the name of Gentlemen Broncos, with the appearance of this thorough website for the film's antagonist, Cluster Award-winning author Dr. Ronald Chevalier (Jemaine Clement, perhaps better known as one-half of New Zealand's fourth most popular folk parody duo, Flight of the Conchords).

In the provided videos and audio snippets, Clement portrays Chevalier as a third-rate Orson Scott Card with the voice of Orson Welles, and I've little trouble believing that he would both fit into the eccentric world of filmmaker Jared Hess (Napoleon Dynamite, Nacho Libre) and lift a story from a young fan (Michael Angarano) out of desperation.

Also starring Sam Rockwell and Jennifer Coolidge, Broncos is currently in post-production, but given the rough timetable and unique pedigree at play, I wouldn't be the least bit surprised if we finally find out what the title means come Sundance next January ...

[Thanks to Matt Dentler for the heads-up.]

It's hard to deny that, in any format, The Dark Knight has made a considerable impression on the moviegoing landscape (current gross: a bajillion dollars and counting), yet it's equally difficult to deny that the IMAX showings held their own potent appeal, thanks to director Christopher Nolan's use of proper cameras to help the action fill the screen -- and if any of you haven't noticed, that's a lot of screen to fill.

ComingSoon.net has confirmed that next summer's Night at the Museum and Transformers sequels will be showcased in IMAX, while it remains rumored that this fall's Eagle Eye and next spring's Watchmen will be as well. Now, while Paramount/Dreamworks and Warner Brothers have often been equally eager to offer up super-sized blockbusters in the format, I'm curious to know if audiences have subsequently raised their expectations for this fare. For me, the nearest location is well across town, and before The Dark Knight, the last thing I bothered to catch there was Beowulf in 3-D. (I can, however, attest that announced plans to format several theaters in the AMC chain for the IMAX experience are indeed underway a wee bit closer to my neck of the woods.)

So, without the draw of IMAX in its full effect, or even the likes of 3-D technology, do you find it any more worthwhile to go out of your way and catch an anticipated film at your nearest location, or will it take something truly special from here on out?

Have you had your fill of giant robots on the big screen yet? Well, Hollywood is banking that you haven't, and while we wait for the next installment of Transformers, it's time to turn our attention to some of the other giant robot flicks heading our way in the not-so-distant future. It's common knowledge that Justin Marks (Street Fighter: The Legend of Chun Li) is in charge of the big-screen adaptation of Voltron, and today a review of Marks' script has popped up online over at Latino Review -- and, thankfully, it looks like good news for fans of the 80's cartoon. But first off, you should know that the review is pretty descriptive about the plot and 'spoiler alert' doesn't even begin to cover it. If you don't feel like reading the whole thing (and it is pretty long), it can all be boiled down to this: the script rocks.

If you didn't grow up watching 80's cartoons, then Voltron might not inspire much excitement. But, for those of a certain age, Voltron was a religion. The story of Volton centered on a team of five young pilots commanding five robot lions which could be combined to form a giant fighting machine called Voltron. Our heroes are left with the task of protecting their home planet from an evil king and a witch named Hagar. But those were the old days, and according to Latino Review, Marks' script is going to deviate from the original anime origins. For the update, Marks' story centers on the fact that "The Drules have invaded Earth and kicked our ass in the ONE DAY WAR. Humanity has gone underground. New York has been decimated and our story opens on the eve of the fifth anniversary of the Drule invasion."

I'm digging the Greek revival in Hollywood -- I know I should sniff at it as an empty trend that cashes in on 300, but I'm just not hard hearted enough. (And I continuously hope that they'll forget about the dumb parts of Troy and greenlight The Odyssey with Sean Bean in the lead.)

According to Variety, the latest Greek myth to be "remade" is Jason and the Argonauts (shortened to the pithier The Argonauts), though I'm skeptical in calling any story that's been around for thousands of years a remake. Jason hasn't sailed on the bigscreen since 1963, when he was assisted so famously by Ray Harryhausen. (There was a television miniseries in 2000 -- that was such a weird era for CGI mythology.) This time, he'll be doing his sailing for 20th Century Fox, and the movie will be written and produced by Zak Penn.

As you likely remember from your school days, this is the story of Jason's quest for the Golden Fleece. Charged with its retrieval by the unpleasant king (and usurper) Pelias, Jason assembles a great group of heroes (including the legendary Heracles) known as the Argonauts. Naturally, they had all kinds of crazy adventures, encountered horrible monsters, and loved a lot of women.

Penn is writing an original take on the Greek epic -- but I imagine all the standbys like the Harpies, the Sirens, and the Symplegades will be present. And I fully expect that it will have a 300 flavor, at least in the costuming and the muscles sported by Jason and company. Just about every studio has a Greek movie they're shoving into production (including that much discussed 300 prequel/sequel/whatever), so they're all going to be vying to outdo each other. At this point, my money is on Anabasis and this one, if only for Penn might bring a bit of X2 goodness to it. What about you?

As someone initially unimpressed with the teaser trailer for next weekend's horror offering, Mirrors, I found myself pleasantly surprised by the unpleasantries on display in the film's restricted trailer, among them the sight of Amy Smart ripping her own jaw off (what can I say, I'm a man of simple taste).

However, I then wondered if that particular moment wasn't the best that the film had to offer. Sure, you don't want to spoil too much before a film opens, but it's a scene that has become the focus of most TV spots and -- in hindsight -- the poster, and as a plot development, I'm almost certain that it'll happen before the film hits its hour mark (a matter that no one will be able to confirm until late Thursday evening, which is its own little omen). But it fell on me to watch that part and find my interest piqued.