Pixar and everything else - them's the breaks when it comes to judging computer-animated fare these days. Although Pixar has rightfully earned themselves the lead among studios, and by a significant margin, it's all too easy to then marginalize the performance of others.

DreamWorks has certainly raised their game beyond pure pop-culture recitation with the inventive and entertaining likes of Over the Hedge, Kung Fu Panda, and Monsters vs. Aliens (and Aardman or no, I'd even include the winning Flushed Away among their finer efforts). For every Open Season, Sony has given us a Monster House (okay, so that's just one-for-one at the moment). And every time that Fox bequeaths to unwilling audiences something like Space Chimps or Everyone's Hero, Blue Sky has nothing to do with it.

Fox/Blue Sky, however, is the precise pairing that gives us the visually engaging and moderately amusing outings like Robots, Horton Hears a Who!, and the Ice Age films, with the latest of which -- Ice Age: Dawn of the Dinosaurs -- falling right in line with that modest-yet-reliable tradition.

When Toy Story 3 was announced to the wider world thanks to that little teaser before Up, a lot of people groaned. I don't know of a single person who hates either of the Toy Story films, and I don't think it's too mushy to say that they hold a pretty special place in everybody's heart. You don't want to see that watered down and exploited.

Thankfully, it's PIXAR at the helm rather than sequel-squeezing Disney, and they assure everyone that the third installment will actually bring closure to the series. SciFi Wire caught up with animator Angus MacLane at the Saturn Awards (he was responsible for Burn-E, and has been with Pixar since Toy Story 2 where he created the crazy Buzz clone), and he spilled a few secrets on the newest adventures of Buzz and Woody. To the surprise of no one that saw Up, their final installment will be a bittersweet one. Lee Unkrich will be directing, and the storyline will center on Andy leaving for college.

"I feel like we've grown up making these movies, and each of the films represents where the filmmakers were at the time of making the films," MacLane said. "Certainly we're approaching this film 10 years later, so I think we're sort of coming at it from the standpoint of [Andy] has grown up, and we've grown up with these toys, and we have a reverence for them, but we also have different things as a priority." In other words, you should start stocking up on Kleenex now, and prepare to feel old and tired when you leave the theater.

It was just last week that anime fans the world over breathed a sigh of relief that Leonardo DiCaprio's live-action Akira was no more. But, that doesn't mean Hollywood has lost its taste for anime, and there are still plenty of other reboots headed our way. So while most of them have stayed in development limbo, two of the more popular titles: Cowboy Bebop and Robotech have started to make new ground, and some of the people involved are starting to talk.

Cowboy Bebop:
When the live action film of the beloved anime was first announced, fans were not thrilled with the idea. Plus, it probably didn't help that Keanu Reeves was taking the role of Spike. But, maybe we shouldn't count out the film yet, because when it comes to the film's screenwriter, there is good news and some bad news. But, let's start with the good news. In an interview with Anime Vice, Craig was asked about whether or not he was familiar with the series, and to his credit, Craig went into full fan-boy mode, telling them about some of his favorite episodes and that both he and Reeves have been meeting with Sunrise studio (the creator of the anime) to make sure that the original 'feel' of the show remains intact. According to Craig, "they [Sunrise] were very specific about their vision for the series, and how it might convert to a live-action film." -- sounds promising, right? Well, the bad news is that Craig has zero experience with sci-fi, and made his name writing about con-men and dysfunctional families. But, I'm going to remain hopeful that with Sunrise watching over the flick, there might be a chance we get something a little better than expected.

Read the rest over at SciFi Squad

Someone at DreamWorks is really, really into ghosts ... or they're hearing people talk about Ghostbusters 3 and Ghost Hunters, and cashing in on a perceived trend. Either way, they're shoving a 3-D Boo U into production as quickly as possible, and hoping that it'll haunt theaters on November 12, 2012.

According to The Hollywood Reporter, Boo U (not its official title, by the way, but what DreamWorks has nicknamed it) centers on a ghost who is really bad at haunting, and must return to ghost school. Tony Leondis is directing, and Jon Vitti has been sent to pen the screenplay. The ghost film is the "supersecret ghost project" that Jeffery Katzenberg was talking up last May.

The funny part is that Boo U is the third ghost project DreamWorks has picked up. They were developing Freakers, which was being penned by Joe Syracuse and Lisa Addario, and told a ghost story from the ghost's point of view, and in their world. But it was shelved for an unspecified reason. (Or exorcised, if we want to be clever.) There's also a third unnamed and unspecified ghost film that's in the pitch stage at the studio. DreamWorks is going to get its spook on one way or another. Should I be happy or sad that they're not even giving Robert Bright's classic Georgie a pre-production glance?

I'm used to getting a little misty-eyed around Pixar's flicks. Those animation magicians are as good at studying the human condition as they are at making pretty pictures that walk and talk ... but this is something pretty special. I'll refer you to the full story at The OC Register, but the short version is this: A 10-year-old girl was dying of cancer, and her last request was to see Pixar's Up. Unfortunately she was too fragile to make a trip to the multiplex ... so Pixar sent someone to her house with an Up screener and an armful of presents.

Young Colby Curtin died about seven hours after the movie.

Our hearts go out to her friends and family, and (once again) we owe a debt of gratitude to the Pixar people. They did all they could to make Colby's final hours as sweet as possible, and they never once looked for any attention or praise for their actions. Well, we want to give it to them anyway. Stay classy, Pixar.

You probably remember that a little over a year ago, the news hit that Leonardo DiCaprio would be producing a live action version of the beloved anime, Akira, and as to be expected, fans were peeved. Within minutes, comment boards (including ours) were jammed with cries of white-washing, racism, and general predictions of overall crappiness. But, if you happen to have been one of those fans crying for blood; I've got some good news for you. Bloody Disgusting now reports that the live-action Akira has been pronounced "Dead as a doornail" by not one, but two inside sources -- I guess we should have seen this coming when the film was promised to be released in 2009, and there wasn't a signed cast member in sight.

For those not familiar with Akira, it was the story of a teen biker gang member who is subjected to government experiments and unleashes destruction on a post-nuclear Tokyo. Ruairi Robinson had originally been slated to direct a script by Gary Whitta (Book of Eli), but DiCaprio had promised that they wouldn't be moving ahead with Akira until they had a quality script, so maybe Whitta could have been the source of the delay. Either way, I guess we can all breathe a sigh of relief that Tetsuo and the gang are safe from the monster known as 'reboot fever'...at least for now, anyway.

After the jump; status reports on other classic anime in line for a Hollywood makeover...

Someone out there will undoubtedly scream "sacrilegious!" or at least "LAME!", but I've always wanted to see The Incredible Mr. Limpet remade. It's a favorite film of both my parents, and so my sister and I loved it too.

Remake talk has been floating around for years, with everyone from Robin Williams to Jim Carrey being attached to star (I always thought Lee Evans would have been a good pick), and the talents of Mike Judge behind the camera. Now The Hollywood Reporter says that Kevin Lima is the next to try and get it off the ground ... and considering his wonderful work on the live action / animated hybrid of Enchanted, he's a natural fit.

The original Limpet takes place during WWII, and centers on a fish-loving fellow (played by Don Knotts, King of '60s Children Cinema) that is belitted by his wife, and rejected by the armed forces. He falls off a pier and magically turns into an animated fish, and ends up a WWII hero because he can help battle U-Boats and submarines. He also meets a sexy girl named Ladyfish, who picks him up in a "Let's spawn!" scene that undoubtedly left many children asking awkward questions.

It's a cute film, and could really benefit from a beefier story and improved effects. The only downside is that they'll probably update the WW2 setting -- although if they got really clever and set it during the Cold War, I would be very impressed.

Over at NPR.org, writer Linda Holmes dared to blog an open letter to Pixar, politely asking to see a few adventures with, maybe, girls as the main characters. Her tone was set nicely in the opening of her piece, titled "Dear Pixar, From All The Girls With Band-Aids On Their Knees":


Holmes points out that of the ten features that Pixar's released theatrically so far, all ten have been boy's adventures. She acknowledges that the movies "feature women and girls to varying degrees -- The Incredibles, in particular -- but the story is never 'a girl and the things that happen to her,' the way it's 'a boy and what happens to him.'" She mentions again that she loves Pixar's movies ... she'd just like to see a character like Up's Ellie or The Incredibles' Violet as the main character for a change.

There are over 100 comments on the piece and, this being NPR, the overwhelming majority of the responses are intelligently expressed and in agreement with Holmes point of view. But if you skip over to Jerry Beck's animation blog, Cartoon Brew, you'll find a lot of readers with a different perspective.

I was just watching Monsters, Inc this past week, and wondering why it belonged to Pixar's no sequel club ... and guess what's in the works now? Dedicated Disney blogger Jim Hill visited this year's Licensing International Expo, and talked to the fine people who were representing Disney and Pixar, and buying up licensing rights.

Reportedly, Pete Docter (fresh off his success with Up) is planning to return to Monstropolis and helm a sequel to his previous Pixar effort, Monsters, Inc. Obviously, story details are shrouded in secrecy, but they've got Cars 2 and Toy Story 3 in the works, it's not much of a stretch to believe they'd revisit Mike and Sully. While it's a delightfully complete film, it's also a wonderful world, and I'd like to go there again.

Hill also reports that Disney is really focusing its efforts on The Lone Ranger, and are hoping to have it in theaters by Summer 2011. As you may remember, Mike Newell was hired to direct, and Johnny Depp is set to play Tonto.
Intent on launching a Ranger franchise, they've pushed back Jack Sparrow's, and are now planning to release the fourth Pirates of the Caribbean installment to a tenative date of Summer 2012. Both franchises offer a dose of Depp, so the Pirates fanbase should be pretty happy with that. Frankly, I'm willing to trade tricorns just to know just who they cast as that masked man ....