Cinematical

If you're one of the many moviegoers who loved Mamma Mia!, perhaps you thought the only thing missing from the experience was the shrill sound of your fellow audience members screaming the lyrics of "Dancing Queen" along with Meryl Streep and her lady friends. Well, Universal Pictures has read your mind, and Mamma Mia!: The Sing-Along Edition will open on Aug. 29 in select theaters. It'll be the same movie, only with all the musical numbers subtitled and audience members encouraged to join in on the vocals.

All we have so far is a press release from Universal, which doesn't say how many theaters the sing-along edition will be in. You are encouraged to visit the Mamma Mia! website for updates, however. These will be regular screenings at regular movie theaters for the regular prices; all that's different is that the lyrics will be on the screen, karaoke-style. And the best part is, even if you're a terrible singer, you can take comfort in knowing you're still better than Pierce Brosnan.

ABBA's music is famous for being catchy, and as a result many people overlook the actual words. This sing-along event will be an opportunity to really notice and pay attention to the subtle complexities of lines like this, from "Money, Money, Money":

In my dreams I have a plan
If I got me a wealthy man
I wouldn't have to work at all
I'd fool around and have a ball

Hooray for girl power and rhyming!

After the first teaser trailer showed up recently for The Princess and the Frog, Disney's return to traditional hand-drawn-style animation, a lot of the blogosphere was labeling the film potentially racist. Hopefully the political correctness circles have died down a bit, though (or are at least concentrating too hard on Tropic Thunder), and we can appreciate some beautiful new artwork from the film without wondering how it might be reflective of stereotypes and whatnot. Over at DisneyAnimation.com, there is a gallery of "visual development" images that give us more of the background depicting 1920s New Orleans and its vicinity. For someone like me, who just recently revisited the Big Easy, the artwork is enough to get me excited about the movie, which unfortunately I must wait for until Christmas 2009.

The Princess and the Frog is a jazzy musical fairy tale based on the classic story "The Frog Princess" and features the first ever African American Disney princess (voiced by Anika Noni Rose). Other characters include a trumpet-playing alligator and a love-sick Cajun firefly. And clearly, from what these new images show us, it's set in New Orleans' French Quarter, as well as the Garden District (or maybe the mansion in this image is further outside the city) and on the bayou, where apparently someone lives in a shipwrecked boat, Swiss Family Robison style. Hopefully, since the story takes place during Prohibition, we'll get to see some swamp-set bootlegging going on.

Be sure to also visit the other project pages on DisneyAnimation.com, for minor info on 2010's Rapunzel and the Phillip K. Dick adaptation King of the Elves, set for a 2012 release. I'm sure there will be more artwork added for those titles in the future, so keep the site bookmarked.

When Demetri Martin joined the cast of Taking Woodstock, it was set to begin production in late August. In a nice change of pace, the movie is still on schedule, and will begin shooting at the end of the month, SAG strike be damned. But that isn't the only reason to anticipate Ang Lee's project. Variety reports the ensemble cast has been set, and it's insanely good. Get ready for a film that includes the likes of Emile Hirsch, Imelda Staunton, Liev Schreiber, Jeffrey Dean Morgan, Eugene Levy, Paul Dano, Zoe Kazan, Dan Fogler, Mamie Gummer, Henry Goodman, and Jonathan Groff.

Martin stars in the memoir adaptation as Elliot Tiber, a closeted gay man and aspiring interior designer who gives up his Big Apple dreams to run the family business in a Catskills motel. In 1969, he offered the hotel as home base for Woodstock organizers while his neighbor Max Yasgur (Levy) offered his farm. Staunton and Goodman play Tiber's parents, Groff will be festival organizer Michael Lang, Hirsch will play a Vietnam vet just back on American soil, Schreiber is in talks to play a transvestite named Vilma, Morgan will be a closeted married man having an affair with Tiber, Dano and Kazan play a hippy couple going to the concert, Fogler will be the head of a local theater troupe, and Gummer will take on the role of Lang's assistant.

I have a feeling this will be so very, very good.

Well, what do you know? Here I was thinking I was one of the few people out there who actually had fond memories of Walter Hill's musical flop Streets of Fire, but you can now add Albert Pyun to the list of the film's dedicated fans. Reports have surfaced over at AICN that the B-movie director extraordinaire is planning a sequel of sorts to the 1984 cult classic. According to AICN, the title is The Road to Hell, and will bring back Streets' original star, Michael Paré, to star alongside Clare Kramer (Buffy) and Courtney Peldon (Boston Public).

If you haven't seen the original, then you are missing out on some prime '80s cheese. What other decade would feature a rock and roll musical set in an urban fantasy land with Willem Dafoe sporting vinyl overalls in a sledgehammer fight to the death? According to AICN, the film will not be a direct sequel to Hill's original flick, but instead a tribute film that will take "STREETS' mood and energy, infusing 50s styled "hardboiled" dialog and characters possessing "dark" shades of gray."

Now that we finally have confirmation from Pyun on that The Sword and the Sorcerer sequel, I guess we'll just have to wait and see which project Pyun makes first. So even though I'm not all that thrilled about a sequel to one of my youth's guilty pleasures, I can't say no to a plot description like this: "Consider it Moulin Rouge meets torture porn. A heavily torqued romantic fantasy where dreams still live but they carry very big knives. "

I'm sold. How about you?

The ol' quote goes: "Nobody puts Baby in the corner." These days, however, it might be more appropriate to say that nothing can keep Patrick Swayze down. The actor's initial cancer reports sounded so very grim, but there Swayze is, looking pretty darned healthy and kicking the big C right in the keister.

He's currently filming the A&E series The Beast in Chicago, and now insiders have told the Metro that he may go back to the role that made him uber famous. The insider said: "It's great news that Patrick is so well and there are lots of offers for him. Everyone wants him to star in a Dirty Dancing sequel. It's just a matter of him making his mind up."

We should take this with a grain of salt, but for once, I'm not totally against the news. If done right, and with a lot of the actors from the original, it could be great to watch them dance again. But then I get to thinking about WHEN it would have to take place. It's been 21 years since the original, which was set in the '60s. So that means it'd have to be a flick taking place in the '80s...

Would you want to see Johnny Castle don a Flock of Seagulls 'do and dirty dance again?

Every generation has its rebellious teen years, so a remake of 1979's Rock 'n' Roll High School, a movie about school kids fighting back against an oppressive school administration, doesn't seem entirely off the wall. Still, the movie pretty much existed as an excuse to put punk rock pioneers The Ramones on the big screen, so I'm wondering how this will work without them. According to an article in Variety, radio personality Howard Stern (who I always thought shared a common hairdo with The Ramones) will be producing the remake along with Larry Levinson. This makes two projects the pair are jointly working on, the other being a remake of 1982's Porky's.

The new Rock 'n" Roll High School will be scripted by Alex Winter, the same Alex Winter who joined Keanu Reeves for a couple of "excellent adventures" as Bill S. Preston Esq., and got staked by Cory Feldman in The Lost Boys. Winter still works as an actor (he had a recurring role on Adult Swim's Saul of the Mole Men), but he's primarily a writer/director these days, having directed music videos, commercials and the made-for-TV movie Ben 10: Race Against Time as well as a feature about Napster and its creator Shawn Fanning.

The original film was produced by B-movie legend Roger Corman and directed by Allan Arkush, with additional uncredited direction from Joe Dante and Jerry Zucker. The movie starred P.J. Soles as Riff Randell, the girl who is bound and determined to get The Ramones to play at the school dance. The cast also featured several Corman regulars including Paul Bartel, Mary Woronov, Dick Miller and Clint Howard. It's been years since I've seen this one, but I remember it as a fun bit of fluff from the drive-in era. What do you say, readers, will this translate well into the twenty-first century?

By: Christopher Campbell (original publish date: February 3, 2008)

(With the Cine-staff off on a late-July mini-vacation, we thought it'd be fun to bring you some of our favorite pieces from months past. Enjoy!)

Today, as millions of (mostly) men are watching the Super Bowl, possibly witnessing the Patriots make history (sorry Erik), millions of (mostly) girls are watching Miley Cyrus (aka "Hannah Montana") make history of her own. As you read this, across the country the 3D concert film Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour is selling out its show times for the day. Actually, it's more likely that at many theaters show times have long been sold out.

On Friday, when the Disney release opened, I took a look at the status of the weekend show times in the tri-state area on Moviefone, Movietickets.com and Fandango. Most times were already unavailable. But I had no way of knowing how recently those times had sold out, because tickets went on sale back on December 1, and many people (our own Kim Voynar and her daughter included) bought theirs way in advance. As Kim mentioned last week, Fandango announced that more than 1,000 show times had already been sold out and that theaters were trying to squeeze in more screenings. The online ticketing company also announced that since December 1, the film has been one of its top selling titles and that this past week the film accounted for 91% of all the company's online ticket sales (compared to 1% each for Rambo, 27 Dresses and Cloverfield).

In May of 1970, Neil Young quickly wrote a song called "Ohio," hotly responding to the Kent State shootings, during which the National Guard killed four students and wounded nine others. He recorded it with David Crosby, Stephen Stills and Graham Nash, who had just come off a hit record from the previous year, and the song peaked at #14 on the pop charts. Over the years, Young has recorded several such protest and/or political songs, including 1967's "For What It's Worth," 1970's "Southern Man" and 1989's "Rockin' in the Free World," which slyly took a stab at then President George H. W. Bush by mentioning his campaign speech staple "a thousand points of light." Young is now in his 60s and once again something pissed him off to the point that he has gone back to the recording studio. This time though, there's no beating around the bush (so to speak). No more messages hidden inside innocuous song titles. This time we get "Let's Impeach the President."

As pleasantly surprised as I was by last summer's musical remake of Hairspray, I can't say that the prospect of sequel potential ever once came to mind. Thankfully, that's why we have Hollywood bean counters and the like, who see the success of that film, Mamma Mia! and High School Musical (including a fair amount of CD and DVD sales for each) as reason enough to have John Waters -- who wrote the 1988 original -- whip up a treatment for a Hairspray sequel.

According to Variety, returning for the project is director Adam Shankman and ... um, no one else at the moment. There isn't a writer attached, nor are any of the original stars lined up to return, although I have little reason to think that most of the young cast wouldn't be down for another one (just what is Nikki Blonsky up to now, anyway?).

Warner Bros. hopes to have Hairspray 2 (Hairspray-ier?) in theaters by July of 2010.

It used to be that the musicians with the beat were the Go Gos. Now the beat is getting manly. The Hollywood Reporter has posted that there's a new indie '80s comedy on the way called We Got the Beat, and Robert Hoffman has just joined the cast. He's been dancing his butt off in a bunch of films and most recently got to groove in the rain with Briana Evigan in Step Up 2.

Written and directed by John Artigo, the film follows "Brad, a high school football player who sets out to prove he's more than just a jock by quitting the team and turning his heavy metal band into a pioneering boy band." But that's not who Hoffman is playing -- he gets to be "Garth, the boy-toy and live-in lover of Brad's mother."

This sounds like one of those films that could be terribly bad, or terribly good. Here's to hoping it's all set to real '80s music and is awesome. The indie begins filming this month.

Whenever a good idea comes along, it doesn't take much time for people to claim they thought it up first. That seems to be the case with Dr. Horrible's Sing-A-Long Blog, the Joss Whedon-created miniseries that streamed online last weekend and is now available on iTunes. Spout reports that legions of commenters calling themselves the Army of Toy Soldiers have been pummeling the site with complaints that Dr. Horrible is a direct rip-off of Dr. Steel, an online show that's several years the senior of Whedon's program. Wired spoke to Dr. Horrible co-writer Mauria Tancharoen, who said they've never heard of Dr. Steel, but don't mind that it exists. The Toy Soldiers, however, appear to be gearing up for a confrontation, possibly one that will go down this week at Comic Con.

Whatever. Dr. Steel offers plenty of entertainment value in its own right, and it does feature a maniacal supervillain with a catchy singing voice (see above). But it also contains more razzle-dazzle weirdness than plot, and Dr. Horrible is pretty much a straightforward narrative. One Toy Soldier member has argued that if they don't speak out, their silence will imply that Dr. Steel stole its concept from Dr. Horrible. That logic holds up -- but either way, we're dealing with two very separate programs here. If anything, the immediate exposure of Dr. Horrible can only help Dr. Steel gain more attention. Once noticed, people should be able to tell the difference.

If you follow any sort of celeb gossip or couply shenanigans, you might have heard that Natalie Portman is dating Venezuelan folk rocker Devendra Banhart. Trying to assist her hunny, she recently helped him whip up a wacky Bollywood style music video called "Carmensita." You can check out the video over on Spinner, and down below we've included a few screenshots of Portman dressed to the nines.

It's a pretty funky song, full of goofiness, vibrant colors, dancing, and very, very strange subtitles. Portman plays a princess who must be saved by a prince (Banhart) who can shoot snakes out of his eyes. But she also has her own slimy, slithering tricks up her sleeve. The moral of this Bollywood story, however, is the best. You never want to forget the alphabet of desire.

Now we just need to get her into more goofy roles. I'm liking the light-hearted Natalie.

Film critics are often criticized themselves for being the wrong audience for a movie they've panned. Whether it's old white guys who aren't the right audience for a Tyler Perry movie or old white guys who can't appreciate a "chick flick," the subjectivity of certain reviewers is sometimes even called out for being too racist, sexist or otherwise prejudiced. We saw a high level of apparent chauvinism going on recently with the release of Sex and the City, and now it's happening again with Mamma Mia! Last Friday, in her his review, New York Sun critic Grady Hendrix* noted that Mamma, "has been getting generally good reviews, but it's also been getting trashed by some critics who all have one thing in common: They're men." And the claim has now been escalated by Liz Smith, who quotes Hendrix in the Page Six section of today's New York Post.

Despite my half-belief that Hendrix has a point about some male critics, I didn't want her his claim to go unchecked. Especially because her his review went out on the same day that most newspaper reviews went out. Meaning, how could she have known the true demographics of all negative and positive reactions? Going through all the Mamma Mia! reviews sampled on Rotten Tomatoes, here is what I discovered:

(Warning: Foul language in the clip, and a helping of gore in the final seconds.)

It didn't seem all that surprising when Fergie (Stacy Ann Ferguson) signed on for a role in Grindhouse. It was a pulp, grindhouse film -- one that suited random cameos. But watching her performance above, did you ever think "Gee, she'd be great acting alongside the likes of Daniel Day-Lewis and Judi Dench"?

Variety reports that the singer and actress is in negotiations for a part in Nine -- the musical re-do of Fellini's 8 1/2. She'll play Saraghina, who "introduces Guido to the world of sexuality." Yes, that means she gets to teach Daniel Day the saucy ways of love. Is this for real? Am I the only one wondering how on earth this came to be?

Shooting starts this October in the UK, and features a wickedly diverse cast that boasts Day-Lewis, Marion Cottilard, Penelope Cruz, Kate Hudson, Sophia Loren, Nicole Kidman, and Judi Dench.

Further ensuring that the band Pulp should have new fans in the future, front man Jarvis Cocker continues to seek younger listeners. This time, in an interview with Time Out Chicago, he claims to have written a few tracks for Wes Anderson's stop-motion-animated film The Fantastic Mr. Fox, which is based on the novel by Roald Dahl. He says there are three or four songs and then some music that could become part of the film's score. Additionally, in response to questions regarding his solo track "Disney Time", he notes that writing music for a kid's movie is his chance to "do better" than Disney films, at least in terms of corrupting young minds.

A few years ago, Cocker contributed to the soundtrack for Harry Potter and the Goblet of Fire and even appeared in the movie as a member of the fictional group The Weird Sisters, performing the songs he composed, "This is the Night", "Do the Hippogriff" and "Magic Works." Pulp has also written songs specifically for movies in the past, including a rejected theme song to the 007 movie Tomorrow Never Dies (both the original version of "Tomorrow Never Dies" and a retitled version called "Tomorrow Never Lies" were later released as a bonus track and a B-Side, respectively). In the interview, he suggests that Quantum of Solace could now use his solo effort "Quantum Theory", to which he'd change the lyrics appropriately.

When QOS arrives in theaters this fall, don't be surprised if Cocker's song isn't heard. As for Fantastic Mr. Fox, we'll have to wait until November 2009 to see if the man's music makes its way to impressionable ears.

[via I Watch Stuff]