It's hard to believe that it's been a whopping 15 years since Tim Burton's The Nightmare Before Christmas was released. The Buttercup-stealing Humperdink, or Chris Sarandon as Jack Skellington, Catherine O'Hara as Sally, plus a little bit of PeeWee and the wacky Greg Proops -- the days before Johnny and Helena were in everything Burtonesque.

In commemoration of the anniversary, the Collector's Edition DVD hits shelves next week, but to whet our hungry appetites, ShockTillYouDrop has got three clips from the new disc. Check out how they made the Haunted Mansion as a holiday tour led by Jack, the process of shooting the film, and finally, Tim Burton's original poem of The Nightmare Before Christmas, all funky and animated.

It's looking to be one heck of a great re-release. From seeing how Jack's version of the Haunted Mansion played out, to how the film was made, to Burton's old short film Vincent, it's all there. Will it be in your basket come Tuesday?

We get a lot of videos and stuff sent to us here at Cinematical headquarters, but the one above is certainly one of my favorites so far. Not because it's totally unique or different, but because it's extremely well edited, features a whole bunch of great movies and really spends time to focus on why we love these films and what, exactly, attracts us to them. The video was edited by Cinematical ready Sean Grady, and dammit if the Oscars shouldn't ask this dude to throw together their next montage. As far as titles go, he calls it Matinee Uber-Edit ... and it's truly worth the seven-or-so minutes in length, if only for the righteous Uncle Buck scene thrown in the middle. Sean uses some of our favorite classic movie scores to highlight this visual journey -- check it out above. Trust me, if you're a fanboy-ish movie nerd, you're going to love this thing.

And thanks, Sean, for sending it our way. Keep up the good work dude!

Maybe it's because this was my first summer writing for Cinematical, but it's felt like an exceptionally intense movie season: the event movies just kept coming, and many of them wound up having real traction. There was a lot to watch and a lot to talk about. It's barely ended, and in just a couple of weeks, Telluride and Toronto officially kick off the fall -- and "Oscar season". I'll sleep when I'm dead, I guess.

One of awards season's most formidable contenders -- already slated for the familiar December platform release -- is Ron Howard's Frost/Nixon, based on the acclaimed West End and Broadway play about journalist David Frost's famous televised interviews of post-resignation Richard Nixon; the ones where Nixon delivered the infamous line about how "if the President does it, it's not illegal." There's a well-crafted trailer for it over here, (trailer link removed at request of studio) and yep: we're in Oscar mode.

I saw the play with Frank Langella as Nixon and Michael Sheen as Frost, both of whom reprise their roles in the film. The show was great but very much a stage show, deriving a lot of its power from the foreboding set and the hugeness of Langella's Nixon impression which, from the looks of the trailer, remains very much intact. It worked great in the theater, but I'm worried it might overwhelm the film. I liked Anthony Hopkins' take on Nixon in the Oliver Stone film, where he basically said to hell with the impersonation and did his own thing.

What if someone took the video game Pac-Man and turned it into an independent live-action, horror-thriller? Well, check out the video above, because that's exactly what these fine folks did on what looks to be a budget of about twenty bucks. This time, however, we're seeing things from the ghosts POV and Pac-Man is the hunter, instead of the hunted. The Pac-Man graphics are on the cheap, and they even cut in scenes from the video game to use as a substitute for at least one kill, but as a whole -- with a solid, heart-pounding score and clever acting -- this thing is definitely worth a watch. Loved the ending!

Whaddya think? CGI feature-length Pac-Man movie in 2011, starring ... who?

At the end of July, we shared the poster premiere of The Secret Life of Bees. Now you can check out the trailer for the film above, courtesy of Trailer Addict.

This is the Dakota Fanning-starring film about a young girl haunted by the memory of her late mother. With her caregiver Rosaleen (Jennifer Hudson), she runs off to a South Carolina town and is taken in by the Boatwright sisters (Queen Latifah, Alicia Keys, and Sophie Okonedo), who teach her the comforts of beekeeping and honey. Unfortunately, the girl's troubled past, in the form of father Paul Bettany, finds her.

While the poster was a little sappy (or perhaps "honey" is the best word in this case) for my tastes, the trailer has a nice amount of sass mixed into the drama, as well as a great one-breath sentence uttered by Fanning. I think I just might have to see this film, which will hit screens on October 17. What about you?

You may have heard that spoof veteran David Zucker's newest project, An American Carol, is a takedown of Michael Moore. You can now have a look at the trailer, online at Yahoo!. And then you can riddle me this: Does An American Carol look like a clever parody of Moore's documentaries, or just a partisan attack on the filmmaker? Or, put another way, is the clip of Bill O'Reilly slapping around Kevin Farley's "Michael Malone" a commentary on the rivalry between the two, or right-wing wish fulfillment? One thing to note before answering is that O'Reilly appears in the film himself, while Moore does not.

Moore is obviously fair game; I've enjoyed his films, and sympathize with (some of) his politics, but I'd eagerly watch a skillful spoof of the pudgy, faux-working-class provocateur. I think parts of the trailer are pretty funny ("Here I am on the island paradise Cuba!"). But if the point is just to pile on the guy, with a rah-rah patriotic, stop-hating-America message at the end, then I'm significantly less interested.

The thing is, the trailer really doesn't make clear what's going on. On one hand, prominent conservatives like O'Reilly and James Woods appear to deliver literal and figurative blows. On the other, "Michael Malone" gets accused of being a slaveowner, which sounds more like a parody of conservative attacks on Moore than of Moore himself. And is Trace Adkins poking fun at his image here, or is he for real?

We know that Zucker is himself conservative, and that the movie is political -- which is fine. But is it political in an incisive, worthwhile way, or in the brainless beatdown mode of Ann Coulter et al? What do you think?

Video taken down at studio's request

It may be bootlegged -- and therefore a limited-time offering -- but from very early on, this trailer for next spring's 3-D animated bonanza Monsters vs. Aliens had me sold and only worked its way up from there.

I like that all of the human characters appear to be related to the Parr family, and that the monsters and aliens on display promise to look even cooler in three dimensions. I dig Stephen Colbert as the President and Keifer Sutherland as General W.R. Monger, not to mention other voices by Will Arnett, Seth Rogen, Rainn Wilson, Hugh Laurie, and Paul Rudd. (Oh, and Reese Witherspoon never did anyone any harm either.) Most importantly, the project gives off a saavy sense of humor without relying as heavily on pop culture riffs as Dreamworks used to. A '50-styled sci-fi send-up should hold my attention as much as the little ones, if done right.

Between this, Kung Fu Panda, and Over the Hedge, I think that it's fair to say that Dreamworks Animation has found a reliable niche as Pixar's hipper cousin. With any luck, I won't be proven wrong come March 27, 2009.

Four years after Connie and Carla failed to set the world on fire, Nia Vardalos has left the writing to someone else while returning to the safe turf of Greece for her new film, My Life in Ruins. Vardalos plays an Athens tour guide tired of all the grating tourists, obnoxious locals, and scheming colleagues in her life, and if the trailer -- link removed at request of studio -- (for those who don't mind Greek subtitles) is any indication, things might just change for the better soon enough.

There has yet to be any specific Stateside release date announced -- Fox Searchlight tentatively has it scheduled for 2009 -- but the crowdpleaser pedigree of Vardalos and director Donald Petrie certainly doesn't hurt the film's chances of outgrossing the $8 million that Connie raked in theatrically (whether or not the downright loud pairing of Harland Williams and Rachel Dratch will is a different story).

Also in the name of safe-bet follow-ups is I Hate Valentine's Day, a rom-com written and directed by Vardalos that reunites her with My Big Fat Greek Wedding love interest John Corbett. That project also bears an equally vague '09 release date, but I have trouble thinking that it couldn't be out of post-production and in theaters by next February.

Unfortunately, I did not manage to catch this extended TV spot for The Curious Case of Benjamin Button during NBC's Olympic coverage, though, luckily, one person did. I imagine this will eventually become the film's second trailer, and it'll hopefully arrive online in a higher quality at some point this week, but for the time being you can scope out a somewhat decent (except for the annoying beeps here and there) video of the spot above (courtesy of The Tube).

Some of what's included here is also in the film's first trailer (catch that in HD on the flick's official website), but we also have a bunch more dialogue, tons of amazing visuals and .... well, watch for yourself. While you never know what the final product will deliver, I can say this film is showing some tremendous, buzz-worthy promise right now -- especially with a director like David Fincher and a cast that includes Brad Pitt and Cate Blanchett (last time these two shared the screen, Babel was nominated for seven Oscars). Needless to say, I'm preemptively putting this on my top ten list for 2008 and crossing my fingers at the same time.

The Curious Case of Benjamin Button arrives in theaters on December 19.